How many times
have I dashed by
these old, dated doors,
have I dashed by
these old, dated doors,
scurrying to escape
the sizzling woes of
insufferable summer heat?
Other times,
during siesta silence,
I seize the moment
for quiet guidance,
during siesta silence,
I seize the moment
for quiet guidance,
to search for traces,
clues and close-ups,
on faces fluted, chipped,
worn out;
clues and close-ups,
on faces fluted, chipped,
worn out;
cosmetic character flaws, perhaps,
but strong footsteps to solid souls.
but strong footsteps to solid souls.
Further down the cobblestone,
gates, freshly painted
to look smooth and sleek,
gates, freshly painted
to look smooth and sleek,
provide a framed perspective,
and an exclusive peek into
and an exclusive peek into
a courtyard of potted petals.
All quite charming,
these updated, made-up metals,
but where's that marked intrigue,
that lost mystique, so present in
their wrinkled, weathered elders:
these updated, made-up metals,
but where's that marked intrigue,
that lost mystique, so present in
their wrinkled, weathered elders:
the wooden, but charred,
the hollow, scarred, and marred,
the mossy, crooked and ajar?
the hollow, scarred, and marred,
the mossy, crooked and ajar?
The last of these gems,
en route to my own residence,
bordered by a grove stacked
with bitter, black fruit,
en route to my own residence,
bordered by a grove stacked
with bitter, black fruit,
a stony structure stands
sound and solitaire, despite
sound and solitaire, despite
its broken window and door.
And, although
exposed to elements
unforgiving and unfair,
it bears no evidence
in its stoic air, of a
core, torn or dishonoured.
Thanks for visiting!

And, although
exposed to elements
unforgiving and unfair,
it bears no evidence
in its stoic air, of a
core, torn or dishonoured.
Thanks for visiting!








